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Free for Commercial Use

Sans Superellipse Jeno 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Magnum Sans Pro' by FontMesa, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Nauman Neue' by The Northern Block, and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, punchy, retro, bold, impact, approachability, brand character, sign-like clarity, modern retro, rounded, soft corners, chunky, compact counters, geometric.


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A heavy, rounded sans with broad proportions and a distinctly squarish curve logic, where bowls and rounds feel like softened rectangles. Strokes are monolinear and dense, with compact internal counters and generous, sturdy terminals. Corners are consistently radiused, giving straight-sided letters (like E, F, H, N) a softened, cushioned look, while curves (C, G, O, S) read as superelliptical rather than purely circular. The lowercase keeps simple, single-storey forms (a, g) and a robust, blocky rhythm, and the numerals share the same wide, stable silhouettes with minimal internal detail.

This font works best for display roles where its heavy, rounded shapes can read clearly and create personality—headlines, posters, logos, packaging, and storefront or wayfinding-style signage. It can also serve for bold UI callouts or labels, but its compact counters suggest avoiding long body text or very small sizes where apertures may close up.

The overall tone is approachable and upbeat, mixing a toy-like softness with assertive weight. Its rounded-rectangle geometry evokes mid-century sign lettering and contemporary “friendly tech” branding, projecting confidence without sharpness. The density and big shapes make it feel energetic and attention-seeking, suited to cheerful or casual messaging.

The likely intention is a high-impact display sans that feels friendly and modern, using rounded-rectangle construction to create a distinctive, cohesive silhouette system across letters and numbers. It prioritizes bold recognizability and brand character over fine detail.

The design relies on large masses and relatively small apertures, so texture becomes very dark and even at larger sizes. Wide joins and blunt curves reduce delicacy but increase impact, especially in all-caps settings and short words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸