Sans Normal Judop 11 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types, 'Bio Sans Soft' by Dharma Type, 'Murs Gothic' by Kobuzan, 'Neue Haas Grotesk Display' by Linotype, 'PG Gothique' by Paulo Goode, 'NeoGram' by The Northern Block, and 'Gart Sans' by Vitaliy Gotsanyuk (names referenced only for comparison).
Keywords: headlines, sports branding, posters, ads, packaging, sporty, assertive, energetic, modern, dynamic, impact, speed, emphasis, branding, display, slanted, geometric, clean, compact, crisp.
A slanted sans with a sturdy, compact build and smooth, geometric curves. Strokes are thick and consistent with clean, squared terminals and tightly controlled counters, giving letters a solid, efficient footprint. The italic angle is pronounced and uniform, creating strong forward motion while maintaining clear, simple silhouettes in both uppercase and lowercase. Numerals follow the same sturdy construction, with rounded forms and minimal interior space that emphasize weight and impact.
This font is well-suited to headlines and short statements where a bold, forward-leaning voice is desirable—sports branding, event posters, promotional ads, and packaging callouts. It will also work for UI or labels when you want emphasis, though its dense letterforms may prefer larger sizes for maximum clarity.
The overall tone is energetic and assertive, with a fast, sporty cadence that feels contemporary and purposeful. Its forward lean and dense color suggest momentum and confidence, making it read as active and attention-driven rather than delicate or formal.
The design appears intended to deliver a modern, high-impact italic sans that conveys speed and confidence. By pairing compact proportions with clean geometry and consistent slant, it prioritizes immediate readability and strong presence in display-led typography.
The rhythm is tight and punchy, with compact apertures and a relatively low internal whitespace that increases visual density at display sizes. Curves are smooth and controlled rather than calligraphic, and the diagonal stress comes primarily from the consistent slant rather than varying stroke logic.