Sans Superellipse Abmud 3 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Demo' by Indian Type Foundry and 'Thicker' by Zetafonts (names referenced only for comparison).
Keywords: ui text, branding, product design, signage, dashboards, modern, friendly, clean, techy, neutral, clarity, modernization, approachability, system design, rounded corners, soft geometry, monoline, open apertures, square rounds.
This is a geometric sans with rounded-rectangle construction and consistently softened corners. Strokes read as monoline with minimal modulation, and counters tend toward squarish bowls rather than true circles. Curves transition into straights with a smooth, superelliptical feel, giving letters a compact, engineered geometry. The lowercase shows a large x-height with straightforward, mostly vertical terminals and clear, open interior space in forms like c, e, and s. Numerals follow the same softened geometry, with rounded joins and stable, even color across lines of text.
It should perform well in interface typography, product branding, and contemporary corporate materials where a clean, modern voice is needed. The large x-height and open shapes support readability in short paragraphs, labels, and navigation, and the rounded geometry also lends itself to signage and display settings that benefit from a friendly, modern finish.
The overall tone is contemporary and approachable, combining a clean, utilitarian clarity with a gentle softness from the rounded geometry. It suggests a tech-forward, system-like sensibility without feeling cold, making it well suited to friendly digital interfaces and modern brand voice.
The design appears intended to merge functional legibility with a distinctive superelliptical geometry, creating a neutral workhorse sans that still has a recognizable, softened industrial character. Its consistent stroke treatment and squared-round forms point to a focus on clarity, cohesion, and a contemporary digital aesthetic.
Uppercase forms keep simple, sturdy silhouettes (notably the squared bowls of B/D/P/R and the rounded-rect O), while diagonals like V/W/X are crisp and balanced against the softened corners elsewhere. Spacing appears even and text sets with a smooth rhythm, producing a uniform texture at paragraph size.