Font Hero

Free for Commercial Use

Sans Normal Mykem 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Akzidenz-Grotesk Next' by Berthold, 'CF Mod Grotesk' by Fonts.GR, 'Applied Sans' by Monotype, and 'Peter' by Vibrant Types (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, sporty, impact, approachability, clarity, headline focus, blocky, rounded, compact, heavyweight, high-impact.


Free for commercial use
Customize the font name

A heavy, rounded sans with broad proportions and compact inner counters. Strokes are uniform and sturdy, with softly curved terminals and squared-off joins that keep shapes blocky rather than fully geometric. Curves are generous in letters like C, G, O, and S, while diagonals (V, W, X, Y) are thick and stable, producing a dense, even color on the page. The lowercase is simple and functional, with a single-storey a and g, and short, robust ascenders/descenders that maintain a tight overall rhythm. Numerals are similarly weighty and open, designed to hold up at large sizes with strong silhouettes.

This font performs best in headlines, posters, and large-format applications where a strong, friendly voice is needed. Its sturdy construction and rounded shapes also suit branding, packaging, and signage—especially when the goal is immediate readability and a bold, modern presence.

The tone is assertive and upbeat—more approachable than austere, with rounded forms that feel contemporary and energetic. Its mass and wide stance read as confident and attention-grabbing, suited to bold messaging rather than delicate nuance.

The design appears intended to deliver maximum visual impact with an approachable, rounded sans personality. It emphasizes solid silhouettes, consistent stroke weight, and compact counters to stay legible and unmistakable in short phrases and prominent typographic statements.

Spacing in the samples reads generous enough to prevent clogging despite the heavy weight, and the shapes retain clear differentiation (notably I/J/L, and O/0) through distinct outlines and terminals. The overall impression is of a display-forward sans that prioritizes impact and legibility at headline sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸