Sans Normal Abdoh 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Linear Grotesk' by Designova, 'Jam Grotesque' by JAM Type Design, 'Live Grotesk' by Matt Chansky, 'Clinica Pro' by Mint Type, 'RF Dewi' by Russian Fonts, 'Metro Sans' by Studio Few, and 'Peter' by Vibrant Types (names referenced only for comparison).
Keywords: ui text, editorial, branding, marketing, presentations, modern, clean, approachable, dynamic, neutral, text emphasis, clarity, contemporary tone, friendly utility, versatile branding, slanted, rounded, humanist, open counters, soft terminals.
A slanted sans with rounded, gently modulated forms and smooth, continuous curves. Bowls and counters are open and generous, with overall shapes leaning on circular geometry while keeping a slightly humanist rhythm. Terminals are mostly clean and unembellished, and joins stay crisp, giving the design a tidy, contemporary finish. Numerals match the text tone with clear, straightforward silhouettes and consistent spacing that supports an even reading texture.
Works well for UI labels, product copy, and general reading where a clean sans is needed but a slanted voice adds momentum. It also suits brand systems and marketing materials that want a modern, approachable feel, and performs well in presentations and headings where the italic stance can carry emphasis without looking ornate.
The overall tone is modern and friendly, balancing neutrality with a sense of motion from the consistent slant. It feels practical and readable while still projecting a light, contemporary energy suitable for everyday interface and brand communication.
The design appears intended as an all-purpose italic sans: clear, contemporary, and easy to deploy across text and display sizes. Its rounded geometry and open forms suggest a focus on comfortable readability while the consistent slant provides an energetic, forward-leaning character.
Round letters (like C, O, Q) read smoothly with open apertures, while diagonals and strokes in letters like K, V, W, and X keep the rhythm lively without becoming sharp or aggressive. The italics are integrated rather than decorative, so the slant supports emphasis without changing the voice.