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Sans Superellipse Sugi 7 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Fresno' by Parkinson, 'Initiate' by Stiggy & Sands, 'Goodland' by Swell Type, 'Delonie' and 'Headpen' by Umka Type, and 'Matricule 59' by designdefontes (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logos, condensed, industrial, retro, assertive, poster-ready, space-saving, impact, branding, authority, blocky, squared, rounded, compact, stencil-like.


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A compact, high-impact sans with tall proportions and tightly controlled widths. Strokes are heavy and largely monolinear, with subtly rounded rectangular corners that soften the otherwise rigid geometry. Counters are narrow and vertically oriented, and many joins resolve into straight, engineered-looking terminals. The overall rhythm is dense and vertical, with a consistent, modular feel across capitals, lowercase, and numerals.

Best suited to display settings where dense, vertical emphasis is desirable—headlines, posters, and impactful subheads. It can work well for signage and packaging that benefits from a compact footprint and strong black presence. Short to medium text performs better than extended reading due to the tight counters and compressed shapes.

The font communicates a strong, no-nonsense tone with a distinctly industrial and vintage display flavor. Its compressed stance and squared curves evoke signage, utilitarian labeling, and bold editorial headlines—confident and slightly stern rather than friendly or casual.

The design appears intended to deliver maximum visual weight and authority in minimal horizontal space, using squared, rounded-rectangle construction to maintain a coherent, industrial voice. It prioritizes bold, immediate recognition and strong typographic color for attention-grabbing applications.

Several glyphs show small interior cut-ins and squared apertures that create a lightly stencil-like impression without fully breaking strokes. Numerals follow the same tall, compact logic, keeping figures visually even in width and color. The sample text shows strong texture at larger sizes, where the narrow counters and tight spacing become a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸