Sans Superellipse Siguz 3 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Moanin' by Wiescher Design and 'Graphique Next' by profonts (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, packaging, industrial, condensed, poster, assertive, retro, space saving, high impact, display use, signage look, geometric system, geometric, squared-round, compact, tall, high-impact.
A tall, tightly condensed sans with a strong vertical emphasis and compact sidebearings. Strokes are robust and largely monolinear, with subtle modulation at joins and terminals. Curves resolve into rounded-rectangle shapes rather than pure circles, giving bowls and counters a squared-round, superelliptical feel. Terminals are generally flat and clean, and the forms rely on crisp, simplified geometry; diagonals and junctions are kept narrow and controlled to preserve density. The lowercase keeps a straightforward, workmanlike construction with a normal-looking x-height for a condensed display face, while numerals and capitals maintain consistent width economy and a rigid rhythm across lines.
Best suited to headlines, posters, and short bursts of text where a strong vertical rhythm and compact width are desirable. It can work well for signage, branding marks, packaging titles, and editorial display lines that need to feel dense and forceful. For longer passages, it benefits from generous size and spacing to maintain clarity.
The overall tone is bold and commanding, with a compressed, architectural presence that reads as industrial and poster-ready. Its squared-round geometry adds a retro-tech flavor—part Art Deco, part utilitarian signage—without becoming ornamental. The result feels confident and no-nonsense, optimized for impact rather than softness or warmth.
The design appears intended to maximize impact in a narrow footprint while maintaining a consistent geometric system. Its superelliptical curves and flat terminals suggest a deliberate, engineered look aimed at display typography, echoing condensed signage and Deco-era poster forms in a contemporary, simplified construction.
Because of the extreme horizontal compression and heavy color, interior counters can get tight in smaller settings; it visually performs best when allowed enough size and tracking to keep the shapes distinct. The repeated rounded-rectangle logic across bowls and terminals creates a cohesive, engineered texture in blocks of text.