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Sans Normal Bomil 8 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'MVB Embarcadero' by MVB and 'Nimbus Sans Chinese Simplified', 'Nimbus Sans Japanese', 'Nimbus Sans L', and 'Nimbus Sans Thai' by URW Type Foundry (names referenced only for comparison).

Keywords: ui design, brand systems, editorial, signage, presentations, neutral, modern, clean, pragmatic, corporate, legibility, versatility, system typography, neutral voice, geometric, rounded, monolinear, open counters, crisp terminals.


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This sans serif presents largely geometric construction with smooth, round bowls and a consistent, even stroke. Curves are clean and well-controlled, while terminals are mostly straight-cut with minimal modulation, giving a crisp, contemporary finish. Proportions feel balanced and steady across the alphabet, with open counters and clear interior spaces that keep letters like a, e, and g from clogging in dense settings. Numerals are straightforward and sturdy, matching the same restrained, monolinear rhythm.

It suits interface copy, dashboards, and product UI where consistency and quick character recognition matter. The steady construction also works well for brand systems and corporate communications, and it scales confidently for signage and presentation typography. In editorial layouts, it provides a clean, contemporary baseline for both headings and short-to-medium body text.

The overall tone is neutral and modern, prioritizing clarity over personality. It reads as dependable and workmanlike, with a polished, contemporary voice suited to systems and everyday communication. The rounded geometry keeps it friendly without becoming playful.

The design appears intended as a general-purpose geometric sans for clear, contemporary communication. It emphasizes legibility, even typographic color, and a neutral tone that can integrate into many visual systems without drawing attention to itself.

In running text the color is even and stable, with smooth curves and consistent spacing contributing to a calm texture. Capitals have a solid presence for headings, while the lowercase maintains clarity through open apertures and simple forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸