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Free for Commercial Use

Slab Rounded Ubda 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ALS Schlange Slab' by Art. Lebedev Studio, 'Kripke' by Haiku Monkey, 'Hellschreiber' by Jörg Schmitt, 'Esfera NF' by Nick's Fonts, and 'Hexi' by Sign Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, labels, retro, friendly, utilitarian, playful, sturdy, soften slab, retro flavor, headline impact, print feel, rounded serifs, soft corners, high contrast, ink-trap feel, typewriter-like.


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A heavy, monoline serif with slab-like feet and visibly rounded terminals throughout, giving the forms a softened, cushioned silhouette. Strokes stay consistently thick with small interior counters and generous rounding at joins, creating a robust texture in text. Serifs read as blunt and compact rather than sharp, and many details (like shoulders and curves) feel slightly notched or tucked, adding an ink-trap-like crispness to the edges. Overall proportions are fairly compact, with strong verticals and a steady rhythm that holds up at medium to large sizes.

Well-suited to short-to-medium headlines where its weight and rounded slabs can create strong presence without looking harsh. It works especially well for packaging, labels, signage, and brand marks that want a vintage-industrial or friendly editorial feel, and for posters where bold, high-impact text is needed.

The rounded slabs and dense color evoke a retro, workmanlike tone with a friendly edge—part typewriter/printing heritage, part playful display. It feels confident and approachable rather than formal, with enough quirk in the curves and terminals to suggest charm and personality.

Likely intended as a bold, characterful slab-serif that balances authority with warmth by rounding off corners and terminals. The design appears focused on producing a solid, legible texture with a nostalgic, print-inspired flavor for attention-grabbing typography.

The sample text shows a dark, even typographic color and sturdy word shapes, while the tight counters and heavy joins make it feel best when given breathing room (slightly larger sizes or looser tracking). Numerals match the same stout, rounded construction, reinforcing the consistent, headline-ready voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸