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Sans Normal Lubul 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Canava Grotesk' by Arodora Type, 'Dexa Pro' by Artegra, 'Halenoir' by Ckhans Fonts, 'Giga Sans' by Locomotype, 'Belle Sans' by Park Street Studio, 'Helios Antique' by W Type Foundry, and 'Kropotkin Std' by sugargliderz (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, confident, playful, modern, punchy, display impact, dynamic emphasis, friendly strength, modern simplicity, slanted, rounded, soft corners, compact counters, heavy terminals.


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A heavy, right-slanted sans with rounded construction and broad, compact interior counters. Strokes are consistently thick with minimal modulation, giving a solid, poster-like color on the page. Curves (C, O, S) read as smooth and slightly squashed, while joins and terminals tend to feel softened rather than sharp. The lowercase is sturdy and compact, with a single-storey “a” and “g” and generally short ascenders/descenders relative to the bold mass, contributing to a dense, energetic rhythm. Numerals are similarly robust and geometric, designed to hold their shape at large sizes.

Best suited for large-scale typography such as headlines, posters, brand marks, and campaign graphics where bold presence is desirable. The energetic slant and rounded heft also fit sports, youth-oriented branding, and packaging that needs clear shelf impact.

The overall tone is bold and upbeat, with a forward-leaning momentum that suggests motion and assertiveness. Its rounded geometry keeps the impact friendly rather than severe, landing in a sporty, contemporary register suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual punch with a friendly, rounded finish, combining a strong slanted stance with simple, geometric letterforms for immediate readability and modern appeal in display settings.

In text, the strong slant and tight counters create a dense texture that favors headlines over long passages. Spacing appears built for impact, with forms that interlock visually and maintain a consistent, emphatic silhouette across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸