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Sans Superellipse Upzu 11 is a very bold, very wide, low contrast, italic, tall x-height font.

Keywords: headlines, posters, branding, logotypes, sports graphics, futuristic, sporty, techy, playful, confident, impact, motion, modernity, brand voice, display clarity, rounded, chunky, streamlined, geometric, ink-trap-like.


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A heavy, right-slanted sans with wide proportions and a squared‑round (superelliptic) construction. Strokes are monolinear and highly volumetric, with large radii on corners and frequent wedge-like terminals that create a streamlined, forward-leaning rhythm. Counters are compact and often rounded-rectangular (notably in O, 0, 8, 9), while several joins show small notches or cut-ins that read like subtle ink-trap behavior in a dense weight. The overall spacing and shapes favor big, solid silhouettes and stable word images at display sizes, with simplified interior detail and a consistently rounded, mechanical finish.

Best suited to display applications where its mass and slant can work as a graphic feature: headlines, posters, packaging, and brand marks. It also fits UI/game titles, tech product graphics, and sports or motorsport-inspired layouts where a fast, engineered tone is desirable. Use generous sizing and comfortable tracking when long lines or dense text are involved.

The tone is energetic and modern, with a speed-and-machinery feel driven by the oblique stance and aerodynamic cuts. Its chunky, soft-cornered geometry adds approachability, while the dense black shapes project strength and confidence. The result lands between retro-futurist and contemporary sports/tech branding.

The design appears intended to deliver maximum impact with a cohesive rounded-rectangular geometry and an italicized sense of motion. It prioritizes bold silhouettes, quick recognition, and a contemporary, performance-oriented voice over fine-detail readability.

Distinctive forms include a compact, squared bowl on the lowercase a, a single-storey g with a rectangular counter, and numerals that emphasize blocky readability (e.g., a squared 0 and a segmented, rounded 2/3). The uppercase set maintains a consistent superelliptic logic, and the sample text shows strong visual cohesion in all-caps headlines and mixed-case words, though the tight counters suggest it’s best used above small text sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸