Sans Normal Adbev 11 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Halenoir' by Ckhans Fonts; 'HD Node', 'HD Node Sans', and 'HD Node X' by HyperDeluxe; 'Ava Grand' and 'Neue June' by Matt Chansky; 'RF Dewi' by Russian Fonts; 'NeoGram' by The Northern Block; and 'Kommon Grotesk' by TypeK (names referenced only for comparison).
Keywords: ui labels, wayfinding, branding, editorial display, posters, modern, technical, clean, efficient, neutral, contemporary clarity, forward motion, systematic branding, screen readability, geometric, oblique, open counters, rounded, uniform stroke.
A wide, oblique sans with a clean geometric skeleton and largely uniform stroke weight. Curves are round and smooth with open apertures, while straight strokes keep crisp, slightly angled terminals that reinforce the forward slant. Proportions feel generous horizontally, with stable, uncluttered counters in both uppercase and lowercase. The overall rhythm is even and consistent, producing a clear, systematic texture in text.
This face suits interface headings, navigation labels, and dashboards where a modern, slanted sans can add momentum without sacrificing clarity. Its wide proportions and open counters also work well for wayfinding, posters, and contemporary branding systems, especially in short to medium-length settings where the italic stance becomes a distinctive voice.
The font reads as modern and purposeful, with a subtle speed-and-motion character from the slant. Its wide stance and smooth curves create a calm, contemporary tone that feels technical and streamlined rather than expressive or decorative.
The design appears intended as a contemporary, italicized workhorse sans that balances geometric simplicity with practical legibility. Its consistent strokes, open forms, and wide set suggest a focus on clean reproduction across sizes and a confident, forward-leaning visual attitude.
Uppercase forms lean toward simplified, geometric construction (notably in round letters like O/Q and the clean, open C/G), while lowercase maintains straightforward, highly legible shapes with minimal idiosyncrasy. Figures follow the same wide, rounded logic, giving numerals a cohesive, signage-friendly presence.