Sans Superellipse Esrar 1 is a regular weight, normal width, monoline, italic, normal x-height font visually similar to 'Isotonic' by Emtype Foundry, 'Muller' and 'Muller Next' by Fontfabric, 'Opinion Pro' by Mint Type, 'Metronic Pro' by Mostardesign, and 'Core Sans M' by S-Core (names referenced only for comparison).
Keywords: branding, headlines, posters, ui labels, signage, sporty, dynamic, modern, technical, utilitarian, clarity, speed, system feel, modernization, brand tone, oblique, rounded, superelliptical, compact, forward-leaning.
A slanted sans with monoline strokes and rounded, superelliptical curves that give counters and terminals a softly squared feel. The overall build is compact and sturdy, with smooth joins and minimal contrast, creating an even rhythm across text. Many letters show subtly squared rounds and gently flattened curves, while diagonals and stems keep a crisp, engineered edge. Numerals follow the same logic, with rounded corners and clear, open interior shapes.
Works well for branding and headline settings where a fast, modern tone is desired, and it also suits UI labels and navigation where a compact, consistent texture helps scanning. The rounded-rectangle construction makes it a good fit for contemporary product, tech, and sports-adjacent graphics, as well as concise signage and wayfinding-style applications.
The forward slant and squared-round geometry convey speed and momentum, reading as contemporary and purpose-built rather than expressive or decorative. It feels sporty and technical, with a clean, practical voice suited to modern interfaces and brand systems.
Likely designed to combine the clarity of a straightforward sans with a distinctive superelliptical construction and an energetic oblique stance. The intent appears to be a modern, system-friendly display and text option that feels engineered, streamlined, and cohesive across letters and numbers.
The glyphs maintain consistent rounding and stroke behavior across uppercase, lowercase, and figures, producing a cohesive texture in paragraphs. Wide, open apertures and simplified terminals help keep forms distinct, while the oblique angle adds energy without becoming overly stylized.