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Free for Commercial Use

Sans Superellipse Ibbap 8 is a very bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Bluteau Code' by DSType, 'Level' by District, 'CamingoMono' by Jan Fromm, 'TheSans Mono' by LucasFonts, and 'Paradroid' and 'Paradroid Mono Soft' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, labels, industrial, playful, sturdy, retro, utilitarian, impact, clarity, modularity, signage, blocky, rounded, squared, chunky, compact.


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A heavy, block-constructed sans with rounded-rectangle geometry and softly curved corners throughout. Strokes are uniformly thick with minimal modulation, producing dense counters and a compact, forceful silhouette. Curves (C, O, S) read as squarish superellipses, while horizontals and verticals land with blunt terminals; diagonals (K, V, W, X) feel slightly chiseled and mechanical. The lowercase is stout and simplified, with a single-storey a and g and a sturdy, notched feel in letters like t and r; numerals follow the same squared, robust construction.

Well-suited for attention-grabbing headlines, posters, and title treatments where a compact, blocky voice is desirable. It can work effectively for logos, packaging, and labels that benefit from a sturdy, industrial presence, and for scoreboard-like or tabular UI moments where consistent character rhythm is helpful.

The overall tone is bold and workmanlike, with a friendly, game-like softness coming from the rounded corners and squarish curves. It balances utilitarian signage energy with a playful, chunky personality, making it feel confident, loud, and approachable rather than refined.

The design appears intended to deliver maximum impact with simple, highly consistent shapes: squarish rounds, blunt terminals, and a compact texture that stays legible and forceful. The rounded-rectangle construction suggests a deliberate aim for a technical, modular feel without becoming harsh.

Because the forms are dense and counters are tight, the face reads best when given breathing room—larger sizes, generous tracking, or short bursts of text. Its consistent rhythm and uniform character widths create a strong grid-like texture, especially in all-caps and numeric strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸