Sans Normal Rukat 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Belle Sans' by Park Street Studio, 'Akagi' and 'Akagi Pro' by Positype, 'PTL Attention' by Primetype, 'Akwe Pro' by ROHH, and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, packaging, modern, friendly, neutral, approachable, clean, versatility, readability, approachability, brand clarity, rounded, soft corners, open apertures, humanist, smooth curves.
A rounded sans with smooth, continuous curves and softly finished terminals. Strokes are even and steady, with generous counters and open apertures that keep the forms clear at text sizes. Uppercase proportions feel balanced and slightly geometric in construction, while the lowercase introduces a mild humanist swing—seen in the single-storey a and g and the gently curved shoulders. Overall spacing reads comfortable and unforced, producing an airy, readable texture in paragraphs.
Works well for interface typography, product copy, and brand systems that need a clear, friendly sans with good readability. The rounded construction also suits signage, wayfinding, and packaging where a softer, more approachable voice is desired. In longer passages, the open forms and steady stroke behavior help maintain an even, legible text color.
The tone is contemporary and friendly without becoming playful or eccentric. Its rounded detailing softens the voice, giving it an approachable, service-oriented feel suited to everyday communication. It maintains a neutral, dependable presence that can support both brand and editorial contexts.
Designed to provide a versatile, contemporary sans that feels warm and accessible while staying clean and practical. The blend of geometric roundness with lightly humanist lowercase details suggests an aim for broad usability across both display and text settings.
Round characters like O and Q are smooth and broadly oval, with the Q’s tail kept unobtrusive. Diagonals (V, W, X, Y) are clean and stable, and the numerals share the same rounded construction for a cohesive typographic color. The overall rhythm is consistent, with clear differentiation between similar shapes such as I, l, and 1 through proportion and terminal treatment.