Sans Superellipse Wahu 6 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'Eurostile Unicase' by Linotype and '946 Latin' by Roman Type (names referenced only for comparison).
Keywords: headlines, logotypes, sports branding, posters, packaging, futuristic, tech, industrial, sporty, assertive, impact, tech identity, modern branding, signage clarity, rounded corners, squared bowls, blocky, compact counters, soft geometry.
A heavy, geometric sans built from rounded-rectangle forms and crisp, squared terminals. Curves resolve into superellipse-like bowls with softened corners, while straight strokes stay flat and sturdy, producing a clean, machined silhouette. Counters are compact and often rectangular, and curves on letters like O/C/G read more like softened boxes than circles. Diagonals (A, V, W, X, Y) are sharply cut and stable, and the overall spacing feels deliberate and signage-oriented, maintaining strong legibility at large sizes.
Best suited to display settings where its geometric character can read clearly—headlines, branding marks, team or esports identities, posters, and packaging. It can also work for UI titles or short labels in tech-themed layouts, especially where a sturdy, contemporary voice is desired.
The tone is confident and modern, with a distinctly technical, engineered feel. Its blocky geometry and softened corners suggest contemporary hardware, sci‑fi interfaces, or motorsport branding—bold without feeling aggressive, and streamlined rather than ornamental.
The design appears intended to deliver a modern, high-impact sans with a signature rounded-rectangular skeleton—combining the authority of strong strokes with a softened, approachable geometry. The consistent boxy curves and squared terminals emphasize a futuristic, industrial identity optimized for prominent, graphic use.
Distinctive details include the squared, rounded-rectangle “O” family, the angular construction of “A” with a triangular counter, and the compact, cut-in shapes used to imply bowls and apertures. Numerals follow the same softened-rectilinear logic, keeping a consistent, utilitarian rhythm across letters and figures.