Sans Superellipse Otbur 2 is a regular weight, wide, low contrast, upright, tall x-height, monospaced font visually similar to 'Bakemono' by Zetafonts (names referenced only for comparison).
Keywords: code, ui labels, terminals, tables, data display, utilitarian, techy, friendly, retro, structured, clarity, alignment, modernization, interface use, rounded, squared, geometric, sturdy, blunt.
A monospaced, geometric sans with rounded-rectangle construction and softly squared curves across bowls and counters. Strokes are low-contrast and consistently weighted, with blunt terminals and a steady, even rhythm typical of fixed-width spacing. Proportions skew wide with a tall x-height, producing large interior spaces and clear silhouettes; round letters like O/C/G read as squarish ovals, while straight-sided forms (H, N, U) feel rigid and engineered. Numerals are bold and simplified, with open shapes and flat bases that echo the same rounded-corner geometry.
Well suited to coding environments, terminal-style interfaces, and any setting that benefits from strict column alignment such as tables, logs, or tabular data. The large x-height and open counters also make it a solid choice for compact UI labels, dashboards, and technical documentation where clarity at small sizes matters.
The overall tone is practical and no-nonsense, with a slightly playful warmth from the rounded corners. Its fixed-width grid feel and squared curves suggest computing, terminals, and technical labeling, while the broad proportions keep it approachable rather than severe.
The design appears intended to provide a clean, grid-faithful monospaced voice with a modernized, rounded-square geometry. It balances engineering-like structure with softened corners to stay readable and friendly in continuous text and interface contexts.
The sample text shows strong alignment and consistent color across lines, with distinctive, easily separated shapes for common confusables (notably the numeral 1 and the lowercase l). Curves tend to resolve into flattened arcs, reinforcing the superelliptical, rounded-rectangle theme throughout letters and figures.