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Sans Normal Lubis 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart; 'Laro', 'Lusio', and 'Modern Sans' by Larin Type Co; 'Galano Classic' and 'Galano Grotesque' by René Bieder; and 'Gordita' by Type Atelier (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotional ads, sporty, punchy, energetic, assertive, retro, impact, dynamism, display clarity, brand presence, oblique, geometric, rounded, blocky, compact.


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A heavy oblique sans with broad, rounded silhouettes and strongly simplified geometry. Curves are built from smooth, near-circular strokes with minimal modulation, while joins and terminals are clean and mostly squared-off, creating a sturdy, engineered feel. Counters are relatively tight for the weight, and apertures tend to be modest, emphasizing mass and impact. The slant is consistent across uppercase, lowercase, and figures, giving lines a forward-leaning rhythm; spacing appears fairly compact, suited to bold, headline-scale setting.

This font is well suited to short, high-impact copy such as headlines, posters, and promotional graphics where a strong oblique presence helps convey motion and urgency. It can work effectively for sports-related branding, event collateral, packaging, and bold editorial callouts, especially when set with generous leading or paired with a quieter companion for longer text.

The overall tone is energetic and punchy, with a dynamic forward motion that reads as sporty and promotional. Its dense color and rounded shapes balance friendliness with force, producing a confident, attention-grabbing voice that can feel slightly retro in its bold oblique stance.

The design appears intended to deliver maximum visual impact with a streamlined geometric construction and a consistent forward slant. Its emphasis on dense stroke weight, compact counters, and rounded, simplified forms suggests a focus on bold display typography that remains clean and readable at larger sizes.

Uppercase forms skew toward simple, geometric constructions, while the lowercase maintains a compact, single-storey feel where applicable, keeping texture uniform in continuous text. Numerals are similarly weighty and stylized to match the oblique rhythm, supporting display use where strong typographic personality is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸