Sans Superellipse Hinim 12 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Ramston' by Katatrad, 'Akwe Pro' by ROHH, 'LFT Etica' by TypeTogether, 'Ardoise Std' by Typofonderie, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, condensed, assertive, utilitarian, modern, space saving, high impact, modern utility, signage clarity, blocky, compact, rounded corners, sturdy, tight spacing.
A compact, heavy sans with tall, condensed proportions and a uniform, low-contrast stroke. Curves are built from rounded-rectangle (superellipse-like) geometry, producing squared counters and softened corners rather than true circular bowls. Terminals are mostly flat and blunt, joins are firm, and the overall silhouette reads as dense and efficient, with tight apertures and minimal modulation. The lowercase keeps a straightforward, single-storey construction where applicable, and figures share the same condensed, block-forward rhythm.
Best suited to short, high-impact settings such as headlines, posters, labels, and wayfinding where a compact footprint is useful. It can also work for bold UI callouts or branding moments that benefit from a sturdy, condensed voice, though the tight counters suggest avoiding long passages at small sizes.
The tone is forceful and practical, with a contemporary, industrial feel. Its dense blackness and squared-round shaping convey strength and directness more than warmth, making it feel engineered and no-nonsense.
The design appears intended to deliver maximum impact in a narrow measure while maintaining a clean sans structure. The superelliptical rounding and blunt terminals aim for a modern, engineered look that stays legible and consistent under heavy weight.
The condensed width and tight internal spaces create strong vertical emphasis and an even, poster-like color. Rounded corners temper the hardness of the rectangular construction, keeping the style modern rather than strictly mechanical.