Font Hero

Free for Commercial Use

Sans Normal Osdes 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'FF Transit' by FontFont; 'Frutiger', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'FreeSet' by ParaType; and 'Adora Condensed PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, confident, punchy, retro, impact, approachability, display clarity, retro flavor, rounded, blocky, soft corners, bulky, compact.


Free for commercial use
Customize the font name

A heavy, rounded sans with large, cushioned curves and predominantly monoline strokes. Counters are wide and open in letters like O, D, and P, while joins and terminals stay blunt and softly squared, creating a sturdy, inflated silhouette. Uppercase forms are compact and stable, with broad horizontal bars and minimal interior detailing; lowercase maintains a simple, single-storey structure (notably a and g) with short, no-nonsense terminals. Numerals follow the same robust geometry, with smooth bowls and strong vertical presence for high-impact setting.

Best suited to display roles where impact and friendliness matter: headlines, posters, branding marks, packaging, and attention-grabbing signage. It also works well for short UI labels or callouts when set with ample spacing, but it is most convincing in large, bold typographic statements.

The overall tone is warm and approachable but assertive, combining softness in the curves with a bold, no-fragile attitude. It reads as energetic and slightly retro, with a friendly “headline” personality rather than a formal, technical voice.

This font appears designed to deliver maximum visual weight with rounded, approachable forms—prioritizing immediacy, legibility at a glance, and a cheerful, confident presence in display typography.

The design emphasizes consistent weight and rounded mass, which helps it hold together at large sizes and in short bursts of text. Tight interior shapes and thick strokes can make small sizes feel dense, so generous tracking and leading can improve clarity in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸