Sans Faceted Ufbu 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Corner Deli' by Fenotype and 'Treadstone' by Rook Supply (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, assertive, retro, mechanical, impact, ruggedness, geometric styling, branding, chamfered, blocky, angular, compact, high-contrast (shape).
A compact, heavy all-caps and text face built from squared silhouettes with consistent stroke weight and pronounced chamfered corners. Curves are largely replaced by straight segments and clipped arcs, producing faceted bowls in letters like C, G, O, and Q. Terminals tend to be flat and squared, counters are tight, and the overall rhythm is dense with sturdy verticals and minimal modulation. Numerals follow the same cut-corner construction, with geometric, sign-like forms that stay legible at display sizes.
Best suited to display work where its dense weight and faceted corners can carry impact: headlines, posters, logos, product marks, and packaging. It also fits applications that benefit from a tough, technical voice such as sports branding, labels, and bold UI callouts, while longer paragraphs will read as deliberately heavy and attention-seeking.
The tone is bold and utilitarian, with a rugged, engineered feel that suggests machinery, sports numbering, and hard-edged branding. Its clipped geometry reads confident and no-nonsense, leaning toward a retro-industrial flavor rather than a soft contemporary look.
The construction suggests an intention to translate bold sans forms into a cut-corner, planar style that stays compact and punchy. By swapping smooth curves for clipped geometry and keeping stroke weight steady, it aims for maximum impact and a strong, industrial identity across letters and numerals.
The design maintains a consistent corner treatment across uppercase, lowercase, and figures, which helps it feel cohesive in mixed-case settings. The faceting introduces subtle texture in longer text lines, especially where many rounded letters appear, giving paragraphs a stamped or stenciled-adjacent presence without obvious breaks in strokes.