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Free for Commercial Use

Sans Other Vepu 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Outlast' by BoxTube Labs, 'Gainsborough' by Fenotype, 'Mexiland' and 'Pierce Jameson' by Grezline Studio, 'Flintstock' by Hustle Supply Co, 'NT Gagarin' by Novo Typo, 'Polyflec' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, logos, playful, chunky, retro, friendly, cartoony, impact, approachability, novelty, retro flavor, headline clarity, rounded, soft corners, blobby, quirky, compact counters.


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A heavy, soft-edged sans with squarish, rounded-rectangle construction and subtly irregular, hand-cut geometry. Strokes are thick and even, with gently flattened curves and frequent right-angle turns that read like molded or carved forms rather than drawn with a pen. Counters are compact and often rectangular (notably in O, P, R, and 8), while terminals tend to be blunt and slightly softened. Lowercase forms keep a tall, sturdy presence with simple joins and minimal tapering, producing a dense, high-impact texture in text.

Best suited for display settings where bold presence and personality are desired: posters, headlines, packaging, and brand marks. It also works well for short UI labels or signage when a friendly, attention-grabbing tone is needed, but will typically want extra spacing in longer text due to its dense counters.

The overall tone is upbeat and approachable, with a toy-like, cartoonish sturdiness. Its blocky rhythm and softened corners suggest a retro display sensibility—fun, informal, and a bit quirky—while still remaining highly legible at larger sizes.

The design appears intended to deliver maximum impact with a friendly, rounded-box aesthetic—combining chunky legibility with a playful, retro-leaning voice. Its consistent modular shapes and simplified details suggest a focus on recognizable silhouettes and strong headline performance.

Distinctive rectangular counters and squared curves give the face a consistent “rounded box” motif across letters and figures. The numerals match the letterforms’ chunky logic, with the 0 and 8 reading particularly modular and sign-like. In running text, the heavy weight and tight internal spaces create a strong, poster-forward color that benefits from generous tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸