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Free for Commercial Use

Sans Other Abbis 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Ephemera Egyptian' by Ephemera Fonts; 'Antry Sans' by Mans Greback; and 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, editorial display, retro, playful, punchy, bold, poster-like, attention, retro flavor, display impact, brand voice, compact, blocky, soft corners, high impact, quirky.


Free for commercial use
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A compact, heavy sans with slightly flared strokes and softly rounded terminals that keep the dense silhouettes from feeling harsh. The letterforms show subtle waist-in/waist-out shaping and occasional notch-like joins, giving a lively, slightly irregular rhythm while remaining consistent across the set. Counters are relatively tight, apertures are modest, and the overall fit is snug, producing strong word shapes and a dark, even texture in lines of text. Numerals and capitals share the same chunky, poster-oriented construction, with simplified geometry and sturdy vertical emphasis.

Well-suited for headlines, posters, and splashy editorial display where its heavy, compact forms can deliver impact quickly. It also works for branding, labels, and packaging that want a retro, friendly voice, especially at medium-to-large sizes where the subtle shaping is most visible.

The tone feels retro and energetic, with a friendly, handcrafted edge that reads as fun rather than formal. Its stout proportions and animated flare suggest mid-century display lettering and headline typography built to grab attention.

The design appears intended as an attention-first display sans that combines compact width with a lively, slightly vintage construction. Its goal is to provide bold, characterful word shapes for short phrases and titles while maintaining a cohesive, sturdy texture across mixed-case settings.

In longer lines, the dense color and compact spacing create a strong typographic “block,” making it best when used with generous tracking or ample line spacing. The distinctive flare and shaping give it personality, but can reduce clarity at very small sizes where counters and apertures begin to close up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸