Serif Contrasted Sisu 2 is a bold, normal width, very high contrast, italic, normal x-height font visually similar to 'Chamberí' by Extratype (names referenced only for comparison).
Keywords: headlines, magazine, branding, posters, packaging, fashion, editorial, luxury, dramatic, theatrical, statement italic, editorial impact, luxury branding, expressive display, didone-like, hairline serifs, ball terminals, swashy, display.
A sharply slanted serif with a calligraphic, high-fashion profile. Strokes move between powerful thick diagonals and extremely fine hairlines, with crisp, needle-like serifs and smooth, polished curves. The italics are built with pronounced entry/exit sweeps and occasional ball terminals, creating a lively baseline rhythm and a sense of forward motion. Uppercase forms are narrow and sculptural, while the lowercase shows more cursive behavior, including a single-storey a and g and several letters with distinctive tails and loops; figures are similarly stylized and angled for display impact.
Best suited to headlines, mastheads, and short editorial statements where dramatic contrast and italic motion are an advantage. It also fits luxury branding, beauty/fashion packaging, event posters, and high-impact pull quotes, especially when used at larger sizes with generous spacing.
The overall tone is glamorous and assertive, with a couture/editorial feel that reads as premium and theatrical. Its steep slant and dramatic contrast add energy and attitude, making text feel performative rather than neutral.
The font appears intended as a statement italic for display typography, combining sharp, modern hairlines with expressive swashes to evoke a refined, fashion-forward aesthetic. Its stylization prioritizes elegance and impact over neutrality, aiming to deliver memorable word shapes in titles and branding.
In longer settings the extreme hairlines and energetic details create strong sparkle and texture, but the swashy joins and pronounced italics can make word shapes busy at small sizes. The design’s personality comes through most clearly in large sizes where the fine terminals and sweeping strokes can be appreciated.