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Sans Superellipse Otbez 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Flexo Soft' by Durotype, 'Orgon' by Hoftype, 'Fishmonger' by Suitcase Type Foundry, 'Accura' by dooType, and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: headlines, logos, posters, signage, packaging, industrial, playful, friendly, techy, sporty, impact, branding, modernity, approachability, clarity, rounded, chunky, geometric, compact, monoline.


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A heavy, geometric sans built from rounded-rectangle and superellipse-like curves. Strokes are broadly monoline with soft corners and squared terminals, producing blocky counters and a compact, sturdy silhouette. Round letters such as O, C, and G read as squarish ovals with generous rounding, while straight-sided forms (E, F, H, N) feel rigid and engineered. The lowercase keeps simple, single-storey shapes and short, sturdy arms; apertures are relatively tight, emphasizing density and impact over airiness. Numerals match the same rounded, compact geometry for a consistent, logo-ready texture.

Best suited to headlines, branding marks, packaging, and short bursts of display text where its compact, rounded geometry can carry visual presence. It also works well for signage and UI labels when used at sizes that preserve the counters and apertures. For longer paragraphs, generous spacing and larger sizes will help keep the texture from becoming too dense.

The overall tone is confident and utilitarian, but the rounded geometry adds approachability and a slight toy-like charm. It suggests contemporary tech, sports, and product-forward branding—assertive without feeling aggressive. The squarish curves and tight counters give it a modern, manufactured feel that reads well in bold statements.

The design appears intended to deliver maximum impact with a clean, geometric voice, using superellipse-like rounding to balance strength with friendliness. It prioritizes a cohesive, engineered look across all glyphs, aiming for contemporary display performance in brand and product contexts.

Curves transition into straights with a distinctly “soft-square” rhythm, creating a consistent rectangle-based cadence across caps, lowercase, and figures. The letterforms favor closed shapes and sturdy joins, which helps maintain a solid color in headlines and signage but can feel dense at very small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸