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Free for Commercial Use

Sans Superellipse Idmul 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'OL Newsbytes' by Dennis Ortiz-Lopez, 'Akkordeon' by Emtype Foundry, 'PODIUM Sharp' and 'Sztos' by Machalski, and 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, bold, punchy, sporty, industrial, retro, impact, brand presence, modern display, compact emphasis, signage clarity, blocky, rounded, compact, high-impact, geometric.


Free for commercial use
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This typeface uses heavy, compact strokes with rounded-rectangle construction, producing a sturdy, softened block geometry. Curves are squarish and tightly controlled, counters are relatively small, and joins stay clean and consistent, giving letters a dense, poster-ready texture. Terminals are blunt and the overall rhythm is wide-set and stable, with strong verticals and minimal stroke modulation that keeps forms crisp at large sizes.

Best suited for display typography where maximum impact is needed: headlines, posters, large-format signage, packaging callouts, and bold brand marks. It can also work for short UI labels or badges when the available space is limited and high contrast against the background is ensured.

The tone is assertive and energetic, mixing toughness with friendly rounded corners. It reads as attention-grabbing and straightforward, with a utilitarian, headline-driven personality that can feel sporty or industrial depending on color and layout.

The design appears intended to deliver a strong, modern display sans with a superelliptical, rounded-rectangle skeleton—balancing blunt authority with approachable softness. Its dense shapes and compact counters prioritize visual presence and brandability over long-form text comfort.

Spacing appears tight and the dark color builds quickly in paragraphs, making the font most comfortable when given generous leading and display-size settings. The numeral set matches the same chunky, rounded-square logic, reinforcing a consistent, signage-like voice across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸