Sans Other Hije 12 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Dimensions' by Dharma Type, 'Dan Pro' by Fontfabric, 'Odradeck' by Harvester Type, 'Motte' by TypeClassHeroes, 'Robson' by TypeUnion, and 'Ravenda' by Typehand Studio (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, signage, art deco, industrial, retro, architectural, poster, display impact, retro styling, stencil motif, branding, stencil cuts, geometric, modular, condensed, high contrast counters.
A condensed, all-caps-forward sans with heavy vertical emphasis and softened, rounded outer corners. Many glyphs are constructed from blocky stems and curved half-ovals, with consistent stroke thickness and frequent internal vertical cuts that create a stencil-like split down bowls and counters. Curves tend to be broad and symmetrical, while horizontals are short and firm, producing compact apertures and tightly contained counters. The lowercase echoes the same modular construction, with single-storey forms and simplified terminals; numerals follow the same split-bowl logic for strong, uniform texture.
Best suited to headlines, posters, logotypes, and packaging where its split-stencil construction can be appreciated at display sizes. It can also work for signage or editorial openers when a compact, high-impact line is needed, but it is less appropriate for long body text due to the dense counters and decorative internal cuts.
The overall tone feels unapologetically bold and graphic, with a retro-futurist and Art Deco flavor. The repeated vertical slits read as industrial or signage-driven, giving the face a punchy, engineered character suited to attention-grabbing display use.
The design appears intended to deliver a compact, high-impact sans with a signature split-stencil detail, combining geometric structure with softened corners for a streamlined, architectural look. The consistent modular logic across letters and numerals suggests it was drawn to create a cohesive, instantly recognizable display texture.
The distinctive central breaks become a primary identifying motif, so letterspacing and size will strongly affect legibility: at larger sizes the cuts read as stylish detailing, while at smaller sizes they can merge into dark bands. The silhouette remains clean and orderly, with a consistent rhythm across capitals, lowercase, and figures.