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Sans Superellipse Otrow 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Diamante EF' by Elsner+Flake, 'Enamela' by K-Type, 'Navine' by OneSevenPointFive, 'Gemsbuck Pro' by Studio Fat Cat, 'Hockeynight Sans' by XTOPH, 'Manifest' by Yasin Yalcin, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, techy, assertive, utilitarian, retro-futurist, impact, space-saving, clarity, modernity, industrial tone, square-rounded, blocky, compact, stencil-like, geometric.


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A compact, heavy sans with squared proportions and generously rounded corners, giving many forms a rounded-rectangle (superellipse) feel. Strokes are uniform with minimal contrast, and counters tend to be tight and rectangular, especially in letters like O, D, and P. Joins and terminals are largely blunt and orthogonal, with occasional angled cuts (notably in A, K, V, W, X, Y, and Z) that add crispness without introducing calligraphic motion. The overall rhythm is dense and steady, with sturdy verticals and a slightly mechanical construction that stays consistent across caps, lowercase, and numerals.

Best suited to short, high-impact text such as headlines, posters, packaging, labels, and signage where strong silhouettes and a compact footprint help conserve space. It also fits interface accents and tech or industrial branding where a crisp, engineered voice is desirable, while longer passages may feel dense due to the tight counters and heavy texture.

The tone is confident and functional, with a distinctly engineered personality—more “equipment label” than “editorial.” Its square-rounded geometry reads contemporary and tech-adjacent, while the condensed, block-like silhouettes also nod to retro signage and industrial marking conventions.

The design appears intended to deliver a robust, space-efficient display voice built from rounded-rectilinear geometry. By keeping contrast low and forms compact, it prioritizes punchy presence, consistent texture, and a modern-industrial aesthetic across letters and figures.

The typeface maintains a strong grid logic: straight sides, rounded outer corners, and counters that often echo the same rounded-rectangle shape. Lowercase forms are simplified and sturdy (single-storey a, compact e), and numerals follow the same squared, monoline structure, supporting consistent color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸