Sans Other Ihfo 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Expline' by Formatype Foundry, 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'Gordita' by Type Atelier, and 'Clinto' and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, sporty, tactical, futuristic, aggressive, high impact, stencil identity, speed emphasis, rugged utility, display focus, stencil cuts, slanted, blocky, compact counters, sharp joins.
A heavy, forward-slanted sans with blocky construction and pronounced stencil-like cut-ins that interrupt many bowls and joins. Forms are built from broad, low-contrast strokes with sharp terminals and tightened counters, giving the alphabet a dense, high-impact rhythm. Curves are simplified and reinforced by straightened segments, while the diagonal stress and condensed interior space keep the silhouettes compact and forceful in text.
Best suited for display settings where its bold silhouettes and stencil cuts can be appreciated—posters, punchy headlines, sports or motorsport identity, packaging, and attention-grabbing signage. It can work for short emphatic lines in UI or apparel graphics, but the internal breaks and tight counters make it less ideal for long-form reading or very small sizes.
The overall tone reads assertive and mechanical, with a utilitarian edge that suggests equipment labeling and action-forward branding. The slant adds urgency and speed, while the stencil breaks contribute a rugged, engineered feel.
The design appears intended to deliver a fast, tough, industrial voice by combining a strong italic stance with systematic stencil interruptions. Its construction prioritizes impact and a distinctive texture over neutral readability, aiming for branding and display applications that benefit from a rugged, technical personality.
The signature cuts appear consistently across caps, lowercase, and numerals, creating a distinctive texture at both display and short-text sizes. The interruptions also introduce deliberate “bite” points that can reduce clarity in small settings but add character at larger scales.