Sans Normal Ohbol 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Surt' by Blaze Type, 'Faktum' by René Bieder, 'NeoGram' by The Northern Block, and 'TT Hoves Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, confident, modern, straightforward, friendly, punchy, impact, clarity, readability, utility, sturdy, clean, rounded counters, square terminals, even texture.
A robust sans with broad proportions, smooth curves, and uniform stroke weight that produces a strong, even typographic color. Corners are clean and mostly squared off where strokes terminate, while counters and bowls stay generously rounded, creating a balanced mix of geometric clarity and human-friendly warmth. The lowercase shows a high x-height and compact ascenders/descenders, supporting dense setting and clear word shapes at display and UI sizes. Numerals are heavy and stable with large interior counters, reinforcing the solid, modern rhythm.
Well suited to branding, headlines, posters, and packaging where a strong, contemporary sans is needed. The large lowercase and open forms also make it a solid choice for UI labels, navigation, and short blocks of text at larger sizes, as well as signage and wayfinding where quick recognition matters.
This typeface feels confident, direct, and contemporary, with a friendly practicality rather than a delicate or ornamental mood. The heavy, steady color and open shapes give it a punchy, attention-getting tone suited to modern communication. Overall it reads as dependable and no-nonsense, with just enough roundness to stay approachable.
The design appears intended to deliver maximum legibility and presence with minimal fuss: strong strokes, open counters, and simple, consistent construction. Its proportions and high lowercase presence suggest a focus on clear reading in compact spaces while still carrying enough weight to perform as a headline voice.
Round letters like O/C/G read very circular with generous counters, while straight-sided forms (E/F/L/T) keep a crisp, architectural feel through flat terminals and consistent stroke widths. The overall spacing in the samples suggests a compact, efficient rhythm that maintains clarity even with dense, heavy text.