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Serif Normal Porih 8 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Franklin-Antiqua' by Berthold, 'Ysobel' by Monotype, and 'Rasbern' by Nasir Udin (names referenced only for comparison).

Keywords: headlines, editorial, book covers, posters, packaging, classical, assertive, formal, dramatic, display impact, classic tone, editorial voice, print character, bracketed, wedge serifs, scotch roman, ball terminals, tight apertures.


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A sturdy serif with pronounced thick–thin modulation and sharply cut, wedge-like serifs that often taper into pointed terminals. The verticals read as weighty and stable, while hairlines are crisp, giving a strong engraved rhythm. Curves are compact and slightly tense, with tight apertures in letters like C, S, and e, and counters that stay relatively enclosed. Several forms show distinctive ball or teardrop terminals (notably on J and some lowercase), and the lowercase has a compact, workmanlike texture with a single-storey g and robust, rounded bowls. Numerals follow the same high-contrast logic, with sculpted curves and firm serifed starts and finishes.

This font is well suited to headlines and display settings where a classic serif with strong contrast can deliver impact. It can work effectively for editorial titling, book or magazine covers, pull quotes, and branding applications that benefit from a formal, traditional tone. For longer passages, it will typically perform best at moderate sizes with generous spacing to avoid an overly dark texture.

The overall tone is traditional and authoritative, with a deliberate, high-impact presence that feels suited to print-centric typography. Its sharp terminals and concentrated curves add a slightly dramatic, old-world flavor, giving it a confident editorial voice rather than a neutral text demeanor.

The design appears intended to deliver a traditional, print-like serif voice with high contrast and distinctive pointed serifs, prioritizing presence and character in titles. Its compact curves and decisive terminals suggest an emphasis on drama and authority rather than maximum neutrality.

In the sample text, the dense stroke weight and tight internal spaces produce a dark, emphatic color, especially in long lines. The design’s pointed serifs and compact apertures make it read most clearly when given comfortable size and leading, where the crisp hairlines and sculpted joins can show.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸