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Free for Commercial Use

Sans Normal Lybag 12 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Madani' by NamelaType, 'PF DIN Text' by Parachute, 'Gilroy' by Radomir Tinkov, 'Almarose' by S&C Type, 'Mundial Narrow' by TipoType, 'TT Norms Pro' by TypeType, and 'Coco Sharp' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, merchandise, sporty, retro, energetic, assertive, playful, impact, movement, approachability, brand emphasis, display clarity, slanted, rounded, chunky, soft corners, tight apertures.


Free for commercial use
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A heavy, slanted sans with compact, rounded construction and thick, even strokes. Curves are built from broad circular forms with softened joins, while terminals tend toward blunt cuts that reinforce a chunky, poster-like mass. Counters are relatively small and apertures are tight, giving letters a dense, punchy texture; spacing appears tuned for impact rather than airiness. The numerals and capitals share the same sturdy, forward-leaning rhythm, producing a consistent, high-ink silhouette across lines of text.

Best suited to display settings where impact and motion matter—headlines, posters, event graphics, packaging, and bold brand moments. It can work for short subheads or callouts in editorial and digital layouts, especially when given a bit of extra spacing for readability at smaller sizes.

The overall tone is energetic and confident, with a forward motion that feels sporty and promotional. Its rounded bulk adds a friendly, approachable edge, while the dense shapes keep it loud and attention-grabbing. The result reads as retro-leaning and bold without feeling sharp or technical.

The design appears intended to deliver maximum visual weight with a lively, forward-leaning cadence, combining rounded geometry with blunt, sturdy detailing. It prioritizes immediacy and personality for branding and display typography over delicate nuance.

In longer sample lines the dark color and tight counters create a strong typographic block, so size and tracking will meaningfully affect clarity. The slant and wide curves produce a smooth, fast rhythm that stays consistent across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸