Sans Superellipse Oglah 3 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Angela Love Sans' by Fargun Studio, 'Double Porter' by Fenotype, 'Miguel De Northern' by Graphicxell, 'Moneer' by Inumocca, and 'Posterman' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, retro, punchy, playful, sturdy, impact, approachability, compactness, retro flavor, display clarity, rounded, soft corners, compact, blocky, closed apertures.
A compact, heavy sans with rounded-rectangle construction and softly squared curves. Strokes read as even and monoline, with broad counters and consistently rounded terminals that keep the texture smooth despite the dense weight. Uppercase forms are tall and tightly fit, while the lowercase maintains a clean, simple structure with mostly single-storey shapes and minimal contrast. Overall spacing and sidebearings create a firm, blocky rhythm that holds together well at display sizes.
Best suited to headlines and short-form typography where its dense weight and compact proportions can deliver impact without becoming spiky or harsh. It works well for branding, packaging, and signage that benefits from a bold, friendly presence, and it can add a retro-flavored emphasis to editorial callouts or promotional graphics.
The rounded, compact silhouettes give the face a friendly, approachable tone while still feeling assertive and high-impact. Its soft-corner geometry nods to mid-century and late-20th-century sign and packaging styles, producing a playful retro confidence rather than a sharp, technical voice.
The design appears intended to deliver maximum readability and presence in a tight footprint, using rounded-rectangle forms to balance strength with approachability. Its consistent stroke behavior and simplified construction suggest a focus on dependable display performance and a cohesive, easily recognizable typographic voice.
Round letters (C, O, G, Q) are notably squarish in their curvature, and apertures tend to be more closed, contributing to a solid, poster-like color on the page. Numerals follow the same compact, rounded-block logic for consistent headline use.