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Free for Commercial Use

Serif Contrasted Tydo 2 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Blacker Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, magazine titles, fashion branding, posters, packaging, editorial, fashion, dramatic, luxury, theatrical, high impact, editorial luxury, modern classicism, graphic texture, vertical stress, hairline serifs, sharp terminals, crisp joins, ink-trap cuts.


Free for commercial use
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A display-oriented serif with towering thick–thin modulation and pronounced vertical stress. The design pairs massive vertical stems with razor-thin hairlines and needle-like serifs, creating a crisp, cut-paper look. Many joins and terminals resolve into sharp triangular notches and wedge-like cuts, giving counters and shoulders a sculpted, chiseled quality. Curves are broad and taut, with compact apertures and firm, squared-off rhythm in the lowercase; figures and capitals read as solid blocks punctuated by fine, high-contrast details.

Best suited for large-scale typography such as magazine mastheads, fashion and beauty branding, editorial headlines, event posters, and premium packaging. It excels when you want high-impact contrast and refined sharpness, and works particularly well in short phrases, display lines, and logo-like settings where its incised details can be appreciated.

The overall tone is assertive and glamorous, with a couture/editorial feel and a hint of vintage poster drama. Its extreme contrast and sharp incisions add tension and sophistication, projecting confidence, exclusivity, and spectacle rather than warmth or casual readability.

The design appears intended to deliver maximum visual punch through extreme contrast and sculpted, knife-edge detailing, evoking modern Didone-inspired elegance with an added cut-out, graphic twist. It prioritizes distinctive texture and dramatic silhouette for display use over neutral, continuous-reading comfort.

In text settings the dense black mass and tight internal openings can make word shapes feel compact and forceful, especially where hairlines slice into bowls and joins. The distinctive cut-ins at shoulders and diagonals become a defining texture at larger sizes, while at smaller sizes those hairline details may visually recede compared with the dominant stems.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸