Sans Faceted Lyko 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Aeroport' by Brownfox, 'Hanley Pro' by District 62 Studio, 'Hando' and 'Hando Soft' by Eko Bimantara, 'Block Capitals' by K-Type, and 'Deciso' by Stefano Giliberti (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, techno, industrial, arcade, military, futuristic, impact, digital feel, ruggedness, geometric consistency, display clarity, chamfered, angular, octagonal, stencil-like, geometric.
A heavy, geometric sans with chamfered corners that turn many curves into crisp, multi-sided facets. Strokes are consistently thick with squared terminals, and counters tend toward octagonal or rectangular forms, producing a tight, engineered texture. The alphabet mixes straight-sided bowls and clipped joins, while figures and round letters (like O, C, G, 0) read as faceted rings rather than true curves. Overall spacing feels compact and blocky, emphasizing strong silhouettes and high contrast against the page through mass rather than stroke modulation.
Well suited to display applications such as posters, event branding, product packaging, and bold UI or game-title treatments where angular, technical character is desirable. It can also work for signage or labels that benefit from sturdy letterforms, especially in short phrases and all-caps settings.
The faceted construction and hard corners evoke a utilitarian, machine-made tone with a distinctly digital edge. It reads as confident and tactical—suggesting control panels, hardware markings, and arcade-era display aesthetics rather than humanist warmth.
The font appears designed to translate a modern sans skeleton into a faceted, planar system, replacing curvature with repeatable chamfers for a rugged, high-impact look. The consistent geometry suggests an intent to feel industrial and digital while staying highly legible in large sizes.
The design maintains a consistent chamfer language across caps, lowercase, and numerals, helping it hold together in all-caps headlines and mixed-case settings. At smaller sizes, the clipped corners and tight apertures can visually fill in, so it tends to perform best when given enough size and breathing room.