Slab Square Tysu 2 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Midsole' by Grype, 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, 'Otoiwo Grotesk' by Pepper Type, 'Hype vol 3' by Positype, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, 'Hockeynight Sans' by XTOPH, and 'Sharplion' by Zeki Michael (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, athletic, industrial, retro, assertive, mechanical, impact, ruggedness, speed, display clarity, brand presence, angular, chamfered, blocky, compact, slanted.
This typeface presents a compact, forward-leaning slab serif build with sturdy, low-contrast strokes and a distinctly angular construction. Corners are frequently chamfered, creating faceted joins and terminals that read as cut or machined rather than rounded. Serifs are thick and bracketless, with flat, squared endings that reinforce a rigid, engineered rhythm. Uppercase forms are tall and condensed with tight counters, while the lowercase keeps a straightforward, utilitarian structure with a consistent, workmanlike texture across words. Numerals follow the same faceted, blocky logic for strong alignment in display settings.
It performs best in short, high-impact settings such as headlines, posters, apparel marks, sports or team branding, packaging labels, and bold signage. The compact proportions and strong slab details help it hold up at larger sizes where the chamfered geometry can be appreciated.
The overall tone feels sporty and industrial, with a vintage poster energy driven by the slant and the chiseled geometry. It communicates urgency and strength more than refinement, making it well-suited to loud, attention-getting typography rather than quiet reading.
The design appears intended to merge a traditional slab-serif foundation with a modern, machined angularity and forward motion. The slanted stance and faceted terminals suggest a goal of delivering energetic, durable letterforms optimized for display-led communication.
The repeated angled cuts at corners and stroke endings are a defining motif, giving the face a stamped/letterpress or varsity-signage impression. Spacing appears designed for headline density, producing a dark, continuous color in text lines.