Sans Other Jagoy 3 is a light, wide, low contrast, upright, normal x-height font.
Keywords: display, branding, posters, packaging, headlines, modernist, quirky, crisp, friendly, stylized, distinctive sans, contemporary tone, brand voice, display clarity, geometric emphasis, geometric, flared terminals, angular joins, open apertures, rounded bowls.
This typeface uses clean, mostly monolinear strokes with a geometric foundation and slightly irregular, tapered terminals that read as subtle flares rather than true serifs. Curves are broad and smooth, while many joins and stroke endings sharpen into small wedges, giving the outlines a crisp, cut-paper feeling. Counters are generally open and round, with a straightforward, upright construction; several glyphs show individualized proportions that create a gently uneven rhythm across words. Numerals are similarly streamlined, with simple forms and rounded bowls, matching the restrained stroke weight and airy spacing.
It suits short-to-medium text in display contexts where a clean sans base with distinctive detailing is desired—such as branding, headlines, packaging, editorial openers, and poster typography. The consistent stroke weight and open shapes help it stay clear, while the stylized terminals provide personality for identity work.
The overall tone is modern and approachable, with a controlled eccentricity that keeps it from feeling purely utilitarian. The pointed terminals and angular details add a slightly futuristic, crafted character, while the generous curves keep it friendly and readable.
The design appears intended to sit between neutral geometry and characterful detailing, using restrained flaring and sharpened terminals to differentiate it from standard sans forms. Its goal is likely to offer a contemporary, readable voice with just enough novelty to be memorable in titles and brand applications.
Uppercase forms emphasize simple geometric silhouettes, while the lowercase introduces more distinctive terminal behavior and a lively, idiosyncratic texture in running text. The wedge-like endings are consistent enough to feel intentional, contributing to a recognizable voice without heavy ornamentation.