Sans Superellipse Hador 3 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'QB One' by BoxTube Labs, 'Robofan' by César Puertas, 'RBNo3.1' by René Bieder, and 'Board of Directors' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techno, industrial, futuristic, utilitarian, arcade, tech styling, display impact, geometric cohesion, systematic forms, squared, rounded corners, geometric, compact, monoline.
A geometric sans built from squared, superelliptic bowls and rounded-rectangle counters, with a heavy monoline feel and crisp, machined edges. Curves resolve into controlled corner radii rather than true circles, giving letters a boxy silhouette and consistent internal geometry. Terminals are predominantly flat and horizontal/vertical, with occasional angled joins that add a slightly technical rhythm. Lowercase forms are sturdy and compact with simple constructions (single-storey a and g), while the numerals echo the same rounded-rectangle logic for a cohesive set.
Best suited for short-form settings where its geometric voice can be a feature: branding marks, poster headlines, packaging callouts, UI/tech theming, and signage. It can work for brief subheads or labels when ample size and spacing are available to preserve clarity.
The overall tone is modern and engineered, evoking digital interfaces, industrial labeling, and retro-futuristic display typography. Its squared curves and firm stance read confident and functional, with an arcade/tech flavor that feels purposeful rather than playful.
The font appears designed to deliver a robust, contemporary display sans with a superelliptic, rounded-rectangle construction. Its goal is to project a precise, technological character while maintaining consistent, repeatable shapes across the alphabet and numerals for strong visual identity.
The design emphasizes uniform stroke behavior and consistent corner treatment across letters and figures, producing strong patterning in headlines. Counters stay relatively open for the weight, and the distinctive squared-round geometry is especially apparent in O/Q/0 and in the stepped, angular turns of S and 2.