Sans Superellipse Figiz 8 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Artegra Sans' and 'Dexa Pro' by Artegra, 'Asen Pro' by Asenbayu, 'Hando' by Eko Bimantara, 'FS Industrie' by Fontsmith, 'Interval Next' by Mostardesign, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, modern, confident, dynamic, impact, momentum, modernity, approachability, rounded, bulky, oblique, soft corners, compact.
A heavy, oblique sans with broad proportions and rounded-rectangle construction throughout. Strokes are thick and even, with softened terminals and generously curved corners that keep the color solid and continuous in text. Counters tend to be compact and more rectangular than circular, creating a sturdy, blocky rhythm. The slant is consistent across capitals, lowercase, and figures, and widths vary by glyph while maintaining an overall wide stance.
Best suited to short, high-impact settings such as headlines, posters, logos, and packaging where its dense weight and forward slant can carry visual energy. It can also work for UI accents, labels, and signage when used at larger sizes with ample spacing.
The tone is energetic and assertive, with a streamlined, athletic feel. Its rounded geometry softens the impact of the weight, giving it an approachable, contemporary voice while still reading as bold and attention-grabbing.
The design appears intended to deliver a bold, contemporary italic voice built from rounded, superellipse-like forms—prioritizing presence and momentum over delicacy. It aims for a cohesive, geometric system that stays friendly through softened corners while remaining unmistakably strong.
Uppercase forms read especially stable and geometric, while the lowercase introduces more distinctive silhouettes (notably the single-storey a and g) that add character at display sizes. Numerals match the same rounded, forward-leaning construction, supporting cohesive headline typography.