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Free for Commercial Use

Sans Superellipse Hunol 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Rhode' by Font Bureau; 'FF Clan', 'FF Good', and 'FF Good Headline' by FontFont; 'Gotham' by Hoefler & Co.; 'Amsi Grotesk' by Stawix; and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, athletic, retro, assertive, compact, space saving, maximum impact, stencil-like solidity, signage clarity, condensed, blocky, rounded corners, superelliptic, high impact.


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A compact, heavy sans with condensed proportions and a strong vertical stance. Strokes are thick and largely uniform, with corners and curves shaped as rounded rectangles rather than true circles, creating a superelliptic, molded look. Counters are tight and apertures are relatively closed, boosting ink density and giving lines of text a dark, continuous color. Curves terminate with squared-off, softened joins, and diagonals are sturdy and blunt, reinforcing a rugged, poster-friendly silhouette.

Best suited to short, high-impact settings such as posters, headlines, sports and event graphics, packaging callouts, and signage where strong contrast against the background is needed. It will also work for logos and badges that benefit from a compact footprint and a bold, industrial presence.

The overall tone is forceful and utilitarian, with a sporty, billboard-like punch. Its rounded-rect geometry adds a friendly, mass-produced feel—more equipment-label and arena signage than refined editorial. The condensed rhythm keeps it energetic and compressed, lending a brash, confident voice.

The design appears intended to maximize impact in limited horizontal space while maintaining a cohesive, rounded-rect construction. Its consistent stroke weight and tight interior spaces suggest an emphasis on strong silhouette, uniform texture, and durable readability at large sizes.

At text sizes the tight counters and heavy color can reduce differentiation between similar shapes, while at display sizes the distinctive superelliptic rounds and compact widths become a defining stylistic feature. Numerals match the same dense, squared-curve construction and feel engineered for headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
3
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5
6
7
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9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸