Sans Superellipse Gedup 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Ordax' by The Northern Block, 'Merchanto' by Type Juice, and 'Folio' and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promotional graphics, sporty, urgent, punchy, assertive, modern, space saving, attention grabbing, speed emphasis, modern branding, condensed, oblique, rounded corners, compact, high impact.
A compact, heavy oblique sans with tight proportions and rounded-rectangle construction. Strokes are thick and even, with minimal contrast and smooth, softened corners that keep counters open despite the dense weight. The forms feel slightly engineered: straight segments dominate, curves are squarish and controlled, and terminals are clean rather than calligraphic. Overall rhythm is fast and forward-leaning, designed to read as a strong, condensed block of text.
Best suited for headlines, posters, and promotional typography where a compact, high-impact voice is needed. It also fits sports branding, product packaging, and social graphics that benefit from a sense of motion and dense typographic color. For longer text, it will be most effective in short bursts—subheads, callouts, and emphasis—rather than extended reading.
The forward slant and dense black color produce a sense of speed and pressure, reading as energetic and competitive. Its rounded geometry softens the aggression just enough to feel contemporary and approachable, while still projecting strength and urgency.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing a strong oblique stance with rounded-rectilinear shapes for a modern, fast-paced look. It aims for clear, bold messaging with a consistent, engineered texture across letters and numbers.
The face maintains a consistent, compact texture across uppercase, lowercase, and numerals, with sturdy figures that match the letterforms’ blocky, rounded construction. The italic angle is pronounced enough to signal motion at a glance, making short phrases and stacked layouts feel dynamic.