Sans Superellipse Wisi 10 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Tactic Round' by Miller Type Foundry, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techno, sporty, futuristic, industrial, retro, impact, modernity, durability, technical tone, brand presence, rounded, squarish, blocky, compact apertures, ink-trap feel.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and broadly uniform stroke weight. Curves are squarish and softened at the corners, giving O/C/G and bowls a compact, engineered feel, while terminals are mostly blunt with consistent rounding. Counters and apertures are relatively tight, and several joins show small triangular cut-ins that read like subtle ink-trap detailing. The lowercase is built with a tall x-height, single-storey a and g, and sturdy verticals that keep texture dense and even in text.
Best suited to short, high-impact settings such as headlines, posters, logos, packaging, and wayfinding where bold presence and a contemporary geometric voice are desired. It also works for UI/tech or gaming-style display text when you want a compact, engineered texture rather than airy readability.
The overall tone is modern and utilitarian, with a tech-forward, automotive/sports flavor. Its softened corners keep it approachable, while the tight counters and squared curves add a tough, industrial edge that feels suited to performance-oriented branding.
The font appears intended as a display-forward geometric sans that merges rounded friendliness with squared, technical structure. The tight counters and small cut-ins at joins suggest a focus on maintaining clarity and bite at large sizes while preserving a distinctive, engineered silhouette.
The rhythm is wide and steady, and the numerals follow the same rounded-squared logic for a cohesive set. The design maintains strong consistency across cases, with the lowercase echoing the uppercase geometry rather than introducing calligraphic contrast.