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Free for Commercial Use

Wacky Inhe 2 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Display Carlos' by Gerald Gallo, 'MC Lebrozz' and 'MC Roollents' by Maulana Creative, 'Shtozer' by Pepper Type, and 'Mahoowa' by Your type (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, album art, quirky, eccentric, retro, playful, theatrical, grab attention, express personality, poster impact, quirky branding, compact headlines, condensed, blocky, high-waisted, ink-trap feel, flared terminals.


Free for commercial use
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A tightly condensed, tall display face built from heavy vertical strokes and compact internal counters. The construction is largely monolinear in its stems, with small contrast created by tapered joins and occasional flare-like terminals. Many letters show pinched waists, narrow apertures, and slit-like openings, producing a strong vertical rhythm and a slightly uneven, hand-tooled geometry. Curves are squarish and compressed, and several forms incorporate notched corners or ink-trap-like cut-ins that add texture at larger sizes.

This font works best as a display option for posters, headlines, brand marks, and short bursts of text where its quirky details can be appreciated. It can add character to packaging, event graphics, album art, or editorial pull quotes, especially when used large with comfortable tracking and leading.

The overall tone is oddball and attention-seeking, mixing a vintage poster energy with a surreal, slightly mischievous character. Its tight proportions and idiosyncratic detailing give it a theatrical, wacky presence that feels suited to playful or offbeat messaging.

The design appears intended to create maximum personality within a narrow footprint, using exaggerated verticality and carved-in details to stay legible while remaining visually unusual. Its forms prioritize distinctive silhouette and rhythmic texture over neutral readability, suggesting a one-off, expressive display purpose.

Uppercase and lowercase share the same compressed, towering stance, helping headlines look cohesive and punchy. Numerals follow the same narrow, high-contrast-by-detail approach, with distinctive interior cuts that keep dense characters from filling in visually. Spacing appears intentionally tight in the sample text, reinforcing a compact, stacked look that benefits from generous line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸