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Free for Commercial Use

Sans Normal Tymak 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'City Boys' and 'City Boys Soft' by Dharma Type, 'Impara' by Hoftype, 'Levnam' by ParaType, 'Belle Sans' by Park Street Studio, 'Organic Pro' by Positype, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, sporty, impact, clarity, approachability, modernity, display emphasis, rounded, blocky, compact, high-impact, clean.


Free for commercial use
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This typeface is a heavy, rounded sans with broad proportions and large, open counters. Strokes are strongly weighted with smooth curves and minimal modulation, creating a solid, even color in text. Terminals are blunt and clean, corners are softened rather than sharp, and round letters (C, O, G, Q) lean toward geometric construction. The lowercase shows simple, sturdy forms with a single-storey a and g, a short-shouldered r, and a wide, rounded s; numerals are robust and highly legible with generous interior space.

It performs best in display contexts such as headlines, posters, brand marks, packaging, and signage where strong presence and quick readability matter. The weight and open shapes also make it effective for short UI labels, badges, and social graphics when a clear, assertive voice is needed.

The overall tone is bold and approachable, balancing a contemporary, no-nonsense presence with friendly roundness. It reads as energetic and emphatic, well-suited to messaging that needs to feel upbeat, direct, and attention-grabbing without becoming aggressive.

The design appears intended to deliver high-impact readability through simplified, rounded geometry and dense stroke weight, producing a consistent, contemporary texture in use. It prioritizes clarity and presence over delicate detail, aiming for versatile display typography that feels modern and accessible.

Spacing appears intentionally roomy for a display-heavy cut, helping counters stay clear at large sizes and keeping dense strokes from clogging. The design maintains consistent curvature and stroke endings across the set, which supports a cohesive look in headlines and short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸