Sans Superellipse Usma 1 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'EquipExtended' by Hoftype, 'Fact' by ParaType, 'Mynor' by The Northern Block, 'URW Grotesk' by URW Type Foundry, and 'Artico' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, punchy, modern, playful, sturdy, impact, approachability, modernity, clarity, rounded, blocky, soft corners, compact counters, geometric.
A heavy, rounded sans with a distinctly squarish curve logic: bowls and apertures feel built from rounded rectangles rather than perfect circles. Strokes are uniform and weighty, with softened corners and minimal modulation, creating a dense, compact texture. Proportions run broad and stable, with generous cap height presence and a straightforward, vertical stance; counters tend to be tight, and joins are clean and simplified for bold clarity.
This font performs best where bold shapes and fast recognition matter: headlines, poster typography, packaging, logos, and short UI or signage labels. Its dense strokes and compact counters make it especially effective at medium-to-large sizes where the rounded-rect geometry can be appreciated without crowding.
The overall tone is confident and approachable—more friendly than stern—thanks to the soft-cornered geometry and wide-set proportions. It reads as contemporary and energetic, with a slightly playful, poster-like impact that stays organized rather than chaotic.
The design appears intended to deliver maximum impact with a friendly, contemporary voice by combining extreme weight with softened, superelliptical forms. The simplified construction and broad proportions suggest a focus on clear, modern display typography that remains approachable.
Round letters like O/Q and numerals such as 0/8 show a superellipse-like construction, while diagonals (A, V, W, X, Y) are thick and assertive, reinforcing a strong headline rhythm. The lowercase maintains a compact, sturdy feel with short-looking ascenders/descenders relative to the overall weight, keeping lines visually tight in text blocks.