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Sans Normal Kemal 8 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' by Durotype, 'Apres' by Font Bureau, 'Departura' by Nasir Udin, and 'Masserini' by Studio Sun (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, energetic, modern, friendly, assertive, impact, motion, modernity, approachability, clarity, slanted, rounded, geometric, compact, punchy.


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A slanted, heavy sans with rounded, geometric construction and a consistent, low-contrast stroke. Curves are smooth and full, with softly eased corners and oval counters that stay open and readable at display sizes. The uppercase set feels compact and sturdy, while the lowercase introduces more rhythm through single-storey forms and tightly curved joins. Overall spacing is moderate, with a forward-leaning stance and a lively, slightly condensed feel that keeps lines visually tight and cohesive.

Best suited to headlines, short copy, and prominent UI or promotional text where a strong, fast impression is desired. It performs well in branding and packaging that benefits from rounded, modern geometry, and it is particularly fitting for sports, fitness, or event-driven graphics. For longer reading, it will be most comfortable at larger sizes where the dense color and slant remain easy to track.

The font projects speed and confidence through its strong weight and persistent forward slant, giving it an energetic, sporty tone. Rounded geometry keeps it approachable rather than severe, balancing impact with friendliness. The overall voice suits contemporary, action-oriented messaging where clarity and punch are both important.

The design appears intended as an impact-focused italic sans that combines geometric roundness with a compact, forward-driving stance. It aims to deliver quick recognition in display contexts while staying friendly through softened shapes and open counters. Consistency across letters and numerals suggests a practical emphasis on cohesive headline typography.

Figures are simple and robust with large interior space relative to stroke weight, helping them read cleanly in short numeric strings. The diagonal stress implied by the slant is consistent across caps, lowercase, and numerals, which helps headings feel unified. The design’s smooth curves and minimal detailing prioritize bold silhouettes over delicate nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸