Sans Normal Lubih 17 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'European Sans Pro' by Bülent Yüksel, 'Genora Sans' by Pixesia Studio, 'Campton' by René Bieder, 'Loew' by The Northern Block, and 'Buvera' by Yukita Creative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, punchy, confident, energetic, friendly, impact, speed, emphasis, modern branding, display legibility, oblique, rounded, compact, chunky, smooth.
A heavy, oblique sans with broad proportions and compact counters. Strokes are consistently thick and smooth, with rounded joins and terminals that keep the texture solid and continuous. Curves lean toward circular geometry (notably in O/C/e/o), while diagonals and angled cuts give letters like A, K, M, N, V, W, X, Y a brisk forward motion. Numerals match the same weight and slant, reading as dense, simplified forms designed for impact rather than delicacy.
Best suited to headlines, posters, and large-scale messaging where bold presence and quick recognition matter. It also fits sports and lifestyle branding, packaging callouts, and short signage copy where a compact, energetic look is desirable. For long reading, its dense color and tight internal spaces suggest using generous size and spacing.
The overall tone is assertive and fast, with a sporty, headline-ready energy. Its thick strokes and forward slant feel promotional and action-oriented, while the rounded shapes keep it approachable rather than aggressive.
The design appears intended to deliver maximum visual punch with a streamlined, modern sans structure—combining rounded geometry with an oblique stance to suggest motion and urgency. It prioritizes strong silhouettes and consistent weight for high-impact display use.
The silhouette stays clean and uncluttered with minimal detailing, producing a strong black-on-white presence. In text, the slant and weight create a pronounced rhythm that favors short bursts—words and lines feel compact and driven, with emphasis coming from mass and angle rather than contrast.