Sans Superellipse Supe 2 is a very bold, narrow, medium contrast, italic, normal x-height font.
Keywords: headlines, sports branding, posters, packaging, app headers, sporty, urgent, industrial, dynamic, aggressive, impact, speed, compactness, modernity, branding, condensed, oblique, blocky, rounded corners, squared curves.
A compact, heavily weighted oblique sans with rounded-rectangle construction and squared curves throughout. Strokes are thick and fairly even, with tight apertures, compact counters, and blunt terminals that keep silhouettes dense and punchy. The geometry leans on superelliptical bowls and shoulders, giving letters a softened, engineered feel rather than pure circles. Spacing appears snug and the overall rhythm is forward-leaning, with sturdy verticals and simplified joins that favor impact over finesse.
Best suited to short, high-impact settings such as headlines, sports and fitness branding, promotional posters, product packaging callouts, and bold UI/header treatments. It can work for brief subheads or labels where a compact, energetic texture is desirable, but the tight counters and dense color favor larger sizes over extended body text.
The font reads fast, loud, and athletic, with a forward-tilting stance that suggests motion and urgency. Its dense forms and squared-round geometry convey a utilitarian, mechanical confidence suited to high-energy messaging. The overall tone is assertive and performance-driven rather than casual or literary.
The design appears intended to deliver maximum punch in a condensed footprint, combining a strong oblique posture with superelliptical, rounded-rectangle shapes for a modern, engineered look. It prioritizes bold presence and consistent, blocky silhouettes to stay legible and attention-grabbing in display contexts.
Uppercase and lowercase share a consistent condensed footprint and similarly squared rounding, which helps maintain uniform texture in mixed-case settings. Numerals match the same blocky, compact build, supporting cohesive headline and display use. Some letterforms rely on narrow openings and tight internal space, which can increase visual mass in longer lines.