Sans Normal Lomoz 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, 'Salma Alfasans' by Alifinart Studio, 'FBS Poffen' by Febspace Studio, 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'Glimp' by OneSevenPointFive, 'Galderglynn Esquire' by Typodermic, 'Nimbus Sans L' by URW Type Foundry, and 'Clinto' by XdCreative (names referenced only for comparison).
Keywords: headlines, sports branding, posters, packaging, advertising, sporty, dynamic, punchy, modern, confident, impact, speed, headline emphasis, brand punch, modern utility, slanted, compact apertures, rounded corners, ink-trap feel, soft terminals.
A heavy, right-slanted sans with broad proportions and smooth, rounded geometry. Strokes are consistently thick with minimal modulation, producing dense counters and compact apertures, especially in letters like a, e, and s. Terminals are mostly blunt and softly curved, and several joins show subtle notch-like cuts that create an ink-trap feel and add texture at display sizes. The overall rhythm is tight and solid, with sturdy diagonals and wide bowls that keep the forms readable despite the weight.
It performs best in large sizes where its dense weight and slanted stance can deliver maximum impact—sports branding, promotional headlines, posters, and bold packaging callouts. It can also work for short UI labels or badges when a forceful, energetic voice is needed, though extended paragraphs will feel visually heavy.
The font conveys speed and forward motion through its strong italic slant and blocky massing. It feels athletic and energetic, with a contemporary, no-nonsense tone suited to bold statements and attention-grabbing headlines.
The design appears intended to provide a high-impact italic sans for display typography, combining rounded construction with compact internal spaces to maintain clarity at bold weights. Its slightly sculpted joins add a technical, engineered character while reinforcing the sense of motion.
Numerals follow the same chunky, rounded construction, staying highly legible with large interior shapes where possible and simplified details. The punctuation and overall spacing in the sample text suggest a headline-first design that prioritizes impact over airy refinement.