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Free for Commercial Use

Serif Humanist Keru 2 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: book titles, editorial, packaging, posters, branding, antique, storybook, handcrafted, rustic, scholarly, historical flavor, handmade texture, literary tone, period display, bracketed, textured, tapered, lively, irregular.


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This serif typeface features strongly modulated strokes with sharp, tapered terminals and small bracketed serifs that feel carved or inked rather than mechanically drawn. Letterforms are upright with slightly uneven contours, giving a subtly rough, hand-worked texture across both capitals and lowercase. Proportions are classical and readable, with open counters and a steady baseline rhythm, while details like pointed joins and lightly flared ends add a crisp, calligraphic edge. Figures follow the same high-contrast, chiseled feel and sit comfortably alongside the text.

Well suited to book covers, chapter heads, and editorial typography where a historical or handcrafted voice is desired. It also works effectively for packaging, labels, and posters that benefit from an antique, storybook character. For longer passages, it is most comfortable when set with moderate leading and not-too-small sizes to preserve its crisp details.

The overall tone is antique and literary, evoking early printed books, folklore titles, and historical ephemera. Its lively, slightly distressed detailing reads as crafted and human, balancing formality with a rustic warmth. The face can suggest tradition and gravitas without becoming overly solemn, thanks to its energetic stroke endings and irregular ink-like edges.

The design appears intended to reinterpret old-style, calligraphy-influenced serif forms with a deliberately organic finish. Its high-contrast strokes and textured outlines aim to add personality and period flavor while keeping familiar proportions for readable text and confident display.

At larger sizes the textured edges and distinctive terminals become a defining feature, while in smaller text the strong contrast and narrow joins may require generous size or spacing for best clarity. Capitals have a stately presence suited to titling, and the lowercase maintains a consistent, old-world color in paragraph settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸